PIE SIG Podcast

Episode 12: Why Settle for Student Participation When You Can Have Student Engagement? feat. Mari Nakamura

Darren Kinsman Season 1 Episode 12

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Episode 12: Why Settle for Participation When You Can Have Real Engagement? 

Episode Summary Educator and entrepreneur, Mari Nakamura, joins Darren to share her personal journey in English language teaching. Through engaging stories from her career, Mari explores the educational and social benefits of Project-Based Learning and how it creates meaningful student engagement that goes well beyond simple participation. Darren discusses the natural overlap with Performance in Education (PIE) approaches and how the two methodologies can benefit each other.

Guest Mari Nakamura MA holds a bachelor’s degree in Sociology from Kwansei Gakuin University, a Master of Science in Teaching English to Young Learners from Aston University (UK), and a Certificate in Teaching English as a Foreign Language.

A two-time winner of the Best of JALT Award, Mari is the founder and owner of MELEP (Mari English Language Education Port). She is a dedicated educator, teacher trainer, and passionate music lover.

Key Topics

  • Mari’s personal journey and experiences in English language teaching
  • Real classroom stories that illustrate the power of Project-Based Learning
  • Educational and social benefits of Project-Based Learning
  • Creating deep student engagement beyond simple participation
  • Natural overlaps between Project-Based Learning and Performance in Education (PIE) approaches

Resources & Links

 MELEP(Mari's English Language Education Port) Website 

MELEP 麻里英語教育ポート - 未来につながる英語教育 | 神戸の子ども英語指導者コミュニティ&教育コンサルティング


MELEP(Mari's English Language Education Port) Instagram
Instagram

iEARN

"iEARN is a non-profit organization made up of over 30,000 schools and youth organizations in more than 140 countries"

https://www.iearn.org/


Reviewed Papers
Empowering Teenage English Language Learners Through Creative Projects (JALT 2019 Post-Conference Publication)
jalt2019-pcp-009_0.pdf


Junior High School Students' Engagement in Online Global PBL (JALT 2023 Pan-SIGG Journal pp.109-116)
2023_PanSIG_Journal.pdf

Thanks for listening! If you enjoyed this episode, please like and leave a review. To learn more about the Performance in Education SIG, check out our website. 

https://jaltpiesig.org/

Have questions or want to get involved? Reach out to us at:

pie.sig.podcast@gmail.com.

To access other high-quality JALT podcasts, go to JALT CALL (Computer Assisted Language Learning) Podcasts on Soundcloud!

https://soundcloud.com/jalt-call

For tips on how to cite these episodes using APA 7th edition, use the link below:

https://docs.google.com/document/d/1uLVARUdviigboSQXkJXfgNm0zNkMsal6brBvwpmTKWM/edit?usp=sharing


Intro & Outro song: Unlock Me (Royalty free)

Music by Kontraa Studio | UKA Music Publishing LLC

Darren

Do you want to make your lessons more engaging and meaningful? Then join me on the PIE SIG P odcast with Darren as we explore performance in education with passionate teachers who bring it to life in their classrooms.

Darren

When I attended Mari Nakamuda's presentation titled Beyond Participation: Prioritizing Student Engagement in Young Learners' Classrooms, I was impressed by the originality and energy of the student projects that she shared. I also immediately saw a strong compatibility with PIE, or Performance In Education. On the surface, PBL or project-based learning emphasizes process, while PIE often emphasizes the product through an event such as a speech, presentation, or performance. But when you look closely, both approaches revolve around the same principle. Public sharing gives purpose to the process, and that purpose fuels motivation. Today, we are joined by Mari Nakamura, educator, entrepreneur, two-time Best of JALT award winner, and owner of Mari's English Language Education Port. So Nakamura Sensei, welcome to the podcast.

Mari

Thank you very much for your invitation.

Darren

I'd like to begin with your early years. Where did you grow up?

Mari

I grew up in Kobe. Yeah, and I'd been here for about 25 years. Then I moved to Hokuriku area with my husband.

Darren

I went to Kobe a few years ago and I liked it immediately. Because as soon as I got to the station, there were the mountains behind me, and then there was the ocean in front, and I thought this is great.

Mari

Yeah, I like it here.

Darren

When you were growing up, what were you like as a student?

Mari

In general, I was a quite a hard-working student, and I was I really liked my school, and I really liked studying at school and doing my homework. So it was not like I English was my favorite subject. I used to I used to like something like sociology more. So at university I majored in sociology.

Darren

Are there any teachers that you have any fond memories of?

Mari

In English?

Darren

Oh, it doesn't matter.

Mari

Yes, I had a really creative piano teacher and she made a big impact in you know on my life, I think. You know, as most teachers do, most piano teachers do. She has a Kreska music background, but she also taught me how to play jazz and Latin. Yeah, so she was quite unique in her field. Most of the Kreska music teachers, you know, stick to Kreska music, but she made a special arrangement for children to play jazz and Latin.

Darren

And how how old were you at that time?

Mari

I was like uh from eight to twelve years old. I I think I was really lucky. I really enjoyed doing that.

Darren

Do you still play?

Mari

Uh just a little, I would say.

Darren

What was her teaching style? Do you remember?

Mari

Her teaching style, you know, she she really cared about the basics. So I had to practice a lot of the basic stuff. And on top of that, she told me how to play with emotions and to be creative and to enjoy, you know, playing with my friends, like um, as a band format, which was really rare in Showa period. Yeah, that was really rare.

Darren

You mentioned after high school you went to university and studied sociology. What attracted you to that subject?

Mari

I I think I was really interested in how the society works as a whole. For example, you know, I was also interested in psychology, but I was aware that people live in a society, so how our minds work are influenced by how the society works. So that is why, you know, I wanted to say something a little bigger than each person's, you know, psychological work.

Darren

Okay. So when you were at university, did you feel like I want to be part of this world of teaching and education?

Mari

Yes, I was uh working, I was teaching children part-time as a tutor, not only English, but I I remember I taught, Japanese, and math to elementary school students. I really enjoyed teaching. So I noticed that uh, okay, maybe teaching might be my profession. That's what I thought.

Darren

And you're very interested in uh project-based learning.

Mari

Yeah.

Darren

And were you interested right from the beginning, or did that come a bit later?

Mari

No, no, that that came in later. Yeah. Because I learned English in a very traditional way. So I had to, you know, start by mimicking how I was taught at school. And I gradually shifted my teaching after that.

Darren

I see. So you've taught students of all ages?

Mari

When I started my own school in Niigata, in a small town in Niigata, I taught children and university students and adults at my own school.

Darren

What are the biggest differences between teaching adults and children?

Mari

At first, you know, teaching adults was much easier, and teaching children was so challenging for me. I think the biggest difference is that, you know, when we become a teacher, we are already adults. So we have forgotten how we learned when we were elementary school case or a kindergarten level student. So I had to learn how their mind works and how they become engaged emotionally and socially. So that is the biggest difference. So they're they are more intuitive and they are more creative, they are more adventurous, and they have much shorter attention span.

Darren

For people who are not so familiar with project-based learning, can you explain what it is in a very simple way?

Mari

In project-based learning, students have the project in the long term, usually like a three month or six months, and they the teacher design the project, but during the project, students work through some sub-goals and go through the project. The end project product pretty much depends on what you know students have learned during the process. That's a project-based learning.

Darren

Okay. And there's a sharing component as well.

Mari

Yeah, students share their work and during the project, they share their thoughts and they engage in lots of discussions. They create something. Usually at my school, they create something together and share what they have created with the other students.

Darren

Okay. So when I first met you, it was uh through JOLT at the Japan Association of Language Teaching. And how did you first become connected with JOLT?

Mari

It was a long time ago. Around 2005, I was academic consultant for Longman. Now that the company is called Pearson Education. So I worked for Longman as an academic consultant. So I started presenting for them, and I started to present present a jolt conference for them with them. Oh, I see. So I really didn't know anything about jolt, to be honest. Yeah.

Darren

Did it have any influence on your teaching, or was it more kind of one-way?

Mari

The influence on me was enormous. You know, before that, I didn't have a master's degree. So my major was sociology, and I learned how to teach through my practice, but I didn't know much of the theory. But when I started to, you know, participate in participate in JET conference, I was exposed to so many different styles of teaching and so many different theories in language teaching. And that was a whole new world for me. So that was really inspiring and stimulating. So after participating in JELT conference, I noticed that I really there is so much more to learn from me. So I decided to take on the master's course.

Darren

So this project-based approach, did that come up in the Jolt context or in your master's program?

Mari

Gradually, after you know, completing the master's degree, I kept on learning at JOLT, and I was exposed to those new ideas, and I started to think of using that approach in my teaching context. But that was not easy because my students are much younger, and the classes meet only once a week for one hour. That was a big challenge. So I had to make a lot of changes to project-based learning.

Darren

So JOLD hands out a kind of what we used to call the best of JOLD award.

Mari

Yes.

Darren

Are you familiar with that?

Mari

Yes, I was actually awarded the best of Jolt Awards twice.

Darren

Wow.

Mari

The first one was about a picture book-based, picture book-based curriculum design. That was the first time. I think that was like a 2015. And the second one was my presentation about yeah, that that was also about picture-based, picture book-based approach, but it was something a little more like a project-based learning. Yeah, at the end of the curriculum students share their own unique picture book, that kind of thing.

Darren

Also they're actually creating. This would be similar to like some teachers using manga, students drawing manga.

Mari

Yeah, yes. Something like manga, but uh just one picture, one page. And at the end, we connected each page into one book. All the pages into one book.

Darren

And there was a fluent story, or there were like separate stories in this book?

Mari

Oh, fluent story, one story.

Darren

That's interesting.

Mari

Yeah. Yeah, that was that was very good.

Darren

So last year you were in Sendai and you gave a couple of presentations. One was at Miyagi Gakwan University and one was for Jolt Sendai. And in the Jolt Sendai presentation that I attended, you were talking about the difference between participation and engagement. Right. So can you tell us for people who don't know the difference? What is the difference?

Mari

Okay, participation is, you know, it depends on how you define the word, but to me, participation feels like when a teacher sees the student, the students see look to be working on something differently. And for example, copying the sentences or making sentences or practicing the speech. But engagement is much deeper. When students are engaged, I think when it comes to engagement, I think of the four elements. One is cognitive engagement, the other is social engagement, and emotional engagement and behavioral engagement. So behavioral engagement is like a participation.

Darren

So you're getting only one element.

Mari

Yeah, one of the one of the elements in engagement. The cognitive engagement is how deeply the students are thinking, and emotional engagement is how emotionally they are involved in learning, and social engagement is how they interact with their peers and stimulate each other with each other.

Darren

That sounds very much like pie or performance in education. We're we're focusing on all those four things as well. Yeah, because you you might be creating a script together. You have to think about the meaning.

Mari

Meaning is meaning is so important.

Darren

Very important. And then you're you have to think about how the others reacting, because you have to respond to how they're acting to you. For example, if it's a play or a skit, right, and then you're presenting it in front of other people. So you've got all those forms of, I guess, four forms of participation, engagement. Right. Okay, well, that that's interesting. So, in in your experience, has your technique of project-based learning ever resulted in a student really transforming, like becoming like they show a side of themselves that you never saw before and you were kind of surprised.

Mari

Oh, yeah, that happens all the time. And that is really stimulating to me to see how they show their true colors through project-based learning. Yes. For example, there is this very simple activity. I'm not sure whether I can call it a project or not, because that is pretty much designed by the teacher, which is me. This project is called Rainbow Project. In this project, students draw black and white line illustration and exchange exchange the black and white illustration with their partner, usually the students in a foreign country. Then they receive this the students also receive the illustration drawn with a black markers. They also exchange the letters. So they attach the letters with the illustration. And they receive the letter and see the illustration, and they think of the friend in overseas, and friend overseas, and think of the friend, imagine the friend, and color in the pictures, and send the picture and the letter back to the international peers. It's really interesting to see how what kind of picture the students draw.

Darren

And this is a physical letter.

Mari

Physical letters, yes. That's right. Physical letters and physical illustrations.

Darren

So if you send me an email, that's one thing. But if you send me a letter, that's something that you held in your hand. The ink came from your pen.

Mari

Yes.

Darren

It got onto the page by you moving your hand. There's a kind of deeper connection there, right?

Mari

Right. So the physicality of language and communication, I really value.

Darren

Yeah, this is also something in Pi, right? Because when you if you if one aspect of Pi is doesn't have to be stage performance, but there's always some kind of a performance going on, right?

Mari

Yeah.

Darren

And there's a physicality there. But I think it's more of physical, physical physicality. The people, the students are using their bodies. Whereas in in the project-based learning, they're using their bodies, but it results in an artifact. Right. Whereas we're using our bodies to create some kind of event.

Mari

Yeah.

Darren

In your presentation, you talked about the students were doing like moderating Zoom discussions, posting projects internationally, presenting their findings. So what how important is I asked you this a bit before, but maybe we can expand on it. How important is that sharing component? Like if you were to take that away, what what would happen to the project-based approach without that?

Mari

Yeah, I think if I do everything for them, it will feel like a duty for them. They have to do something. So they will try to look good without thinking deeply. You know, so they might not find the value in what they do, but they will take it like a routine. And they think, okay, teacher asked me to do this, so I will do the research, but I will use AI and I will design something by taking this photograph from here and taking this illustration from there. Okay, voila, that looks good, right, teacher? That kind of approach they might have. But when I ask them to discuss with their peers and design the project by themselves, they will feel the responsibility. So I kind of release the responsibility to them gradually, since they are very young. And by the time when they become junior high and senior high, they are ready to take on the whole task by themselves. Then they will feel fully motivated and fully responsible, and they do their best and they show their two cutters, I think.

Darren

Right. Because I think in the in the performance and education approach, there's something similar there, that you have that performance at the end. And some people think that that's that's all there is. It's not. I think it's that's the that's the proof of that the process has worked. Right? The same as the artifact in in yours. And I think it one one big thing about that is if they know they have to share it, that creates more motivation within the process part.

Mari

Right, of course, yes. And it is so important for them to have the authentic audience. Yeah, that has been quite a challenge for me because I, as I said, I teach children only once a week in a small classroom with only six students. So, you know, in the early years of my teaching, I asked my students to practice speech, but they didn't have the audience. They performed because they knew that I was going to check the performance as a teacher to give them some feedback and they will try to, you know, sometimes correct some mistakes or to make changes to please the teacher. So they didn't have the you know, authentic audience. But once I started to do the project-based learning and teaching, they had a real audience. For example, sometimes they are the other students in the same class or the students in foreign countries in different cultures. So their motivational level has changed a lot since then.

Darren

I I think it took me a long time to realize the importance of audience. So I've been teaching writing for a long time, and I sometimes I forget to tell the students who is your audience. And they sometimes seem like they're writing for themselves or just me, or some, I don't know who they think they're writing for, maybe someone exactly like them. But yeah, recently I've been getting to getting them to do a reader's theater. So now they have to share what they've written with three or four other people because you stand on the stage as three or four or five people. So you have to understand what the other person has written, and you're interacting with that other person's ideas, and you're actually sharing them with other people, and that changes the writing process.

Mari

Right.

Darren

So I think this all comes back to the same thing. This idea of performance at the end shapes the process. Right. Okay.

Mari

Very fantastic idea. I've never tried read as theater at my university classes. So I think you're gonna try.

Darren

I I had some writing students who are some of them were shy and some of them were not interested in the class at all. And I was, I had this text and I said, you know, you have to read it with emotion, and you don't have to worry about eye contact. And they're like, Oh, that's good. But I said that but, but, but you have to have emotion. So I would read it with emotion, over the top emotion, just to try to get their level up a little bit. And one of the shyest girls who seemed to be not interested at all was the best one. Already, and I said, That was amazing. Like, what happened to you? What do you think what happened to her? I think sometimes they need permission to be alive and not just not be the nail that sticks out.

Mari

Yeah, she needed a stage, yeah.

Darren

Need a stage and permission.

Mari

Permission, yes.

Darren

Yeah, because if the teacher's telling you to do it, then well, it was not me, it's the teacher told me to do it. Ah, I see. Yeah, I think that's part of it. And they I think they enjoy it because some of them are hams, you know, they like to get in front of other people and show off. And you don't sometimes you don't know that until you you try it.

Mari

Yeah, I'm now writing a syllabus for you know university classes. Oh. So maybe I should include that in there.

Darren

Excellent. So I'm thinking about your projects, and they seem a bit maybe complicated for people who haven't tried them. I'm guessing there are a lot of steps. And the first thing I was thinking about was the audience, international audience. You're gonna have to arrange that at the very beginning, right?

Mari

Before the class.

Darren

How do you how do you do that? Like, do you have like a network of people that you can contact or yeah?

Mari

As I've been doing this for a long time. I, you know, I have done that work of teachers whom I can contact. And when I started out, I signed up for iEarn. Have you ever heard of the organization that is an NPO? That is an NPO based in the United States and Spain, I think, that is called iEarn, International Resource and Education Network. So I am a member of the organization, and I can find some teachers in different countries who want to engage in the same kind of uh project-based learning. So anybody join this? Yes, anybody can join join it. Yes, of course. You're interested. So you don't have to be an university teacher, you don't have to work for a public school. Anyone can sign up for it.

Darren

I see.

Mari

Yeah.

Darren

Okay, maybe I'll put that in the description of the podcast. Okay, so so you've got let's say you've set up your your international link, and now you've got to think about the type of project that you want.

Mari

Yes, and discuss with a partner teacher.

Darren

Right.

Mari

Yeah, we we've got to we've got to check, you know, make sure everything works right. So for example, how long the project is going to be and what the topic is, and uh what is the goal is, and also the grade level of the students. So there are so many things that we have to discuss. So we spend about one month for discussion before starting. Yeah, and I usually do that through email.

Darren

So it seems to me, based on what you said so far, is that it has a lot of what I call front-end work. So right at the very beginning, you're doing probably, I would guess, 80% of your work. And then throughout throughout the year, that the rest of the 20% is monitoring and giving help.

Mari

Right. Yeah, so planning is so important.

Darren

So at that point, the it kind of flips, right? The students are doing most of the work. Exactly. That's true.

Mari

That is true. So if we carefully plan, you know, the rest of the part gets easier and smoother and a lot more stimulating for the students. Yeah.

Darren

Can can you tell us about one project that you're quite proud of?

Mari

Okay. About I think it it was five years ago, I did a big project with a Moldovan teacher.

Darren

Oh, that's the one you spoke about in Sendai.

Mari

Ah, yes, yes, that that's the one. And I did research about the engagement uh using the project. The project is for about five months. And in this, yeah, during the project, students on both ends did some research about four topics. Well, more topics, I think. And most popular topic was a school. And for example, my students, my students did a research about like a like a school education system in Japan, and more than students did a research about their country's education system. They exchanged some findings using Padlet. Padlet is an online Breoton board. They exchanged some information on the Brute and Board, and so there was an a lot of interaction on the Brute and Board. And then after three months, they did they had a you know real-time exchange time meeting using Zoom engaging in discussion too. Yeah, and my of course my students and those students did a presentation about school.

Darren

How did it improve their their English?

Mari

What I noticed is more about their uh attitude towards communication. They became there more open and they became more adventurous in having conversation with uh foreign uh students. They become more engaged in conversation, they showed a lot more uh willingness to communicate, and they worked really hard to discuss with their peers in the same class to make it successful.

Darren

The responsibility.

Mari

Yeah, responsibility, yes, that's true.

Darren

Social skills.

Mari

Yeah, social skills, yes. So they knew that they had to really discuss with their peers to make it successful. They knew that because I didn't help during the discussion time.

Darren

This goes all the way back to to John Dewey, doesn't it?

Mari

Learn by doing and learning by doing, yes. Learning from peers and yeah.

Darren

Right. So could you tell us a bit about your professional career now?

Mari

No, right now, okay. I'm now teaching high school students and university students, and also I'm doing professional development projects with some teachers.

Darren

Okay.

Mari

Yes, I have teachers' community called MELEP.

Darren

MELEP.

Mari

MELEP, yes, Maurice English Education English Language Education Port. Yes, there are over 300 teachers in the community. So I do teacher training seminars and I do consulting work, and I also do small group teachers' lessons.

Darren

Can I ask why you transitioned from your own school to the Melab?

Mari

Oh, okay. I was really, you know, the timing was right, I think. It was around 2020. You know, when COVID was 2020 during the COVID COVID era. COVID era. So all the teachers were having a hard time. Especially, you know, children's teachers were having a hard time switching from face-to-face classes to online classes. And and around that time I was already using Padlet. Yeah. That is an online tool. And I thought maybe some teachers might be interested in the use of Padlet in the language classroom because there is an online tool, so that could be helpful for some teachers who are teaching children through Zoom to supplement their classes. So I started to do some training about Padlet, and there was so much interest in teachers. So many, many teachers participating in my teacher training seminar that I planned with Eric Kane. Do you know Eric Kane?

Darren

I don't.

Mari

Okay, he's also active in JOLT, and we are good friends, so we did such kind of a teacher training seminars together. And that was the beginning of Medet. So at that time I noticed that maybe there are a lot of things that I can offer to teachers by doing online seminars to them. So the teachers wanted to wanted to, you know, get connected online during the pandemic.

Darren

Yes.

Mari

Yeah, so I decided to make a community for teachers. Yeah. So that is, I consider that to be my main job now.

Darren

I see. So humans sharing with other humans.

Mari

Yes.

Darren

So I guess we see this in project-based learning, we see this in Pi. We see it in even in the podcast.

Mari

Yes.

Darren

The reason I brought up the humans thing, I chose this word specifically because in Japan you say Ningen, but in in English, we don't usually use that, right? We say people. People. But I use the word human because we're in an AI, the world is becoming AI-based now, I think. That's kind of very quickly going in that direction. And I often ask my guests on the podcast, what do we have to offer as human teachers? So when I think about Pi, or if I think about project-based learning, I think, in my opinion, we're offering something that AI cannot. And that's the the human sharing, the human experience, the interaction. What else do you think that we can offer as teachers that AI cannot offer?

Mari

Yeah, I of course uh interaction, human interaction or human connection comes to the top. That's that's something that AI cannot do. And I think the other elements which is really important for the teachers to keep in mind is to be flexible for individual students. So we've got to be, we've got to observe our students very carefully, pick up some signs that students send us and to respond to it individually. I think that is something that we are really good at that AI cannot do yet.

Darren

Right.

Mari

Yeah.

Darren

And being physically present together in the same place, I think is important.

Mari

Yes, physically present together, yes.

Darren

Yeah, and and and again, coming back to the idea of physicality. You know, if it's if you're doing a stage play, you have the props. Right. And if you're doing an artifact of some type like you do, you have paper or some type of uh artwork or something like that. And maybe AI can mimic that, and maybe some people would actually prefer to fall in love with AI and not have to talk to anybody else. But I think for most people, I think they crave human interaction, acceptance, and physicality. You know, you still see young people are going out and buying records, you know, something that we got rid of when I was a teenager.

Mari

It's very popular now. It's just a nice surprise to me.

Darren

It's interesting.

Mari

I mean, I I can't be bothered with it because I'm digital with that now, but but even younger generation, younger generation prefer funnels sometimes. They enjoy touching the record, yeah, and feeding the weights of it.

Darren

Yeah, that physicality, yeah.

Mari

Yeah.

Darren

All right. So just to wrap up, can you give teachers some advice if they want to try some project-based learning that's that they can maybe do in the in the next year that that's not going to take up three months of their time, but you know, something simple that they can do?

Mari

Yeah, there are a couple of things that they can do. You know, keep it simple at first. For example, the project can be as short as just two lessons. Oh.

Darren

Oh, please tell us more.

Mari

For example, you can just you can simply ask your students to take some interesting picture, interesting photograph around you. Or, for example, in your house, find something funny in your house and take a picture and share, share the picture with your friends. Right. They take a picture at home and share the picture, for example, online or in the class, they talk about those funny objects from the from the home.

Darren

Okay.

Mari

Yes, each, you know, each student share the special objects, and they talk about those objects. And of course, that kind of a discussion leads to different ideas. For example, what about sharing something at school? What about sharing something in a community? So then you can make the project bigger and bigger. So they can start from something really small and expand on it. So that may be something that you might want to do.

Darren

Right. So I'm thinking about presentations and performances in English as well, because you can start off with just a role play. Then the roleplay can become a skit in front of the class, and then that can become in front of the whole school or be done in public and so on. So just up scaling it up.

Mari

Yeah, so small and see what happens in your classroom. Especially children will tell you what to do next because they have lots of ideas, and they they are they don't hesitate to share their ideas. Yeah, unlike adults.

Darren

That's right, that's right. So before we wrap up, is there anything else that you wanted to mention or add?

Mari

I want you know, all the teachers of young learners to be open about their ideas, to share their teaching ideas using you know their own community or on social media, or by participating in some conferences or seminars, share your ideas and see where the dialogue is going to take you.

Darren

Right. So maybe JALT or your organization, for example.

Mari

Yes. To be connected.

Darren

All right, thank you very much for joining us. It's been a great opportunity to find out what you know project-based learning can do and how it relates to performance and education, what the what the overlaps are and where the differences are. And I think I think both can benefit from each other. You know, if more more performance and education type approaches within the project-based learning might help to create a better, you know, sharing experience and maybe more of a content for us would help us, you know, to have more content in something that we're doing that's presentation based. Right. So it's been great. Well, thank you very much for talking to us.

Mari

Thank you. I had a good time.

Darren

Okay, take care.

Mari

Take care.

Darren

Bye bye. Bye. Thank you for listening. Until next time, stay focused and keep performing.